
Part art, part data science, the project required a lot of technology. To create this effect, the project’s creative directors used a modified baton and 12 cameras, which captured Rattle’s motions at 120 frames per second. Using this data, Gremmler created a series of animated films.
The resulting images are explosions of light, sounds, and swirling patterns visualizing the music. [...]
via {atlas obscura}
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